![]() ![]() Roberta is a sociologist, she comes from a whole other world and works in social cooperatives where she deals with second generation migrants. Only I, Ilaria Cecere, 34, converse with you as we dismantle the lights for a setting that will see us guests in a special event in an Aversa theater … But I speak, ideally holding the other two friends and minds of Bustheater, adventure and co-owners of the Bus: Roberta Ferraro and Alessio Ferrara. One Bustheater, three minds: your life in a few lines exactly where it starts I reach Ilaria with a video interview that you will not see but that I want you to imagine from the words that I transcribed as they came. Many historians will speak – and after them social scientists, without any politician healing it – of a de facto annexation of a composite country by a minority kingdom.Ĭertainly from the end of the 1800s the immeasurable gap in the index of wealth, life expectancy, now also of births begins … That of happiness and that of education have not been able to widen it … With the ‘sack’ of the Savoias ( Italian royal family, ed), those companies that grind discoveries and wealth were ‘transferred’ to the north of the country, thus beginning the never extinct southern ‘question’ at its tragic! anniversary, when Italy was unified. Three young friends who have never lost themselves despite distant lives delve into a twelve-meter bus transformed into a theater (and occasionally a cinema) in an abandoned factory in San Giovanni a Teduccio, deep east of Naples once packed with futuristic international factories, just meters away from the first Italian railway. It captures me, torments me and I decide to know all the unspoken. Transferred from it.wikipedia to Commons using For the Common Good.In a lazy, foggy and desolate day in the deep North chaired by Lega racist party where it is difficult to find anything that looks like good theater, I browse my daily diet of news and in a Neapolitan newspaper, my hometown. PDM Creative Commons Public Domain Mark 1.0 false false Original upload log This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Copyright may extend on works created by French who died for France in World War II ( more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions ( more information). Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term. ![]() This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. Licensing Public domain Public domain false false Locomotiva "Mastodonte dei Giovi", data: ca. Italiano: Locomotiva "Mastodonte dei Giovi", data: ca. ![]()
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